Goodbye Norma Jean
Studio, 1979
Related Articles
From the ShadowsDr Neill Overton
Conceptual drawing in Australia from 1970 – 2000s can be seen to preoccupy itself with image and meaning, and to marginalise qualities of touch and tactility that previously differentiated drawing from other works on paper.
Much of the large-scale drawing made in the 1980s has been identified as having a sense of detachment.
» Read the full articleRelated Exhibitions
The Metaphysical BodyVarious galleries, Throughout 2006 – 2008
Godwin Bradbeer entered the consciousness of Australian drawing and of Australian art: both against and yet part of the shotgun marriages that were occurring between drawing and photography, and drawing and conceptual installations.
» View the exhibitionThis text will be replaced
From the documentary 'Some Men' by Meg Mitchell. Interview by Denis O'Donnell.